Vintage black-and-white films are experiencing a resurgence in color, sparking debates about authenticity and accessibility. But is this a good thing? Neil Richards, manager of film digitisation at the National Film and Sound Archive, reflects on this dilemma. He appreciates the aesthetic of black-and-white films and the challenges of colorisation, acknowledging its potential to make archival footage more accessible. Australia in Colour, a four-part TV series, colorised historical black-and-white films, gaining positive feedback. The Corrick Collection showcases hand-coloured films, like Georges Méliès's Joan of Arc, now colourised using cutting-edge technology. Distruptor Post, an Australian studio, colourises films like The Passion of Joan of Arc, adding sound effects and music. They prioritise quality control and authenticity, ensuring the film's integrity. Despite the industry's challenges, Distruptor Post is expanding, aiming to become a world leader in colorisation. They colourise black-and-white films, television, and archival footage, using custom software and tools. This process involves teaching the software to recognise skin tones and shapes, ensuring a natural-looking result. The studio's work is gaining recognition, with The Passion of Joan of Arc submitted to the 76th Berlin Film Festival 2026. Mr. Pearson highlights the importance of preserving the film's original essence while enhancing its visual appeal, creating a unique viewing experience for modern audiences.
